Vesper and Compline Music for Two Principal Voices by Jeffrey Kurtzman

By Jeffrey Kurtzman

This quantity is a part of a sequence of 25 full-score volumes of 17th-century Italian sacred tune, a repertoire that has principally been unavailable for research or functionality. It features a entire historic and biographical creation, specializes in composers major of their personal time, and gives smooth notation for modern performers.

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By Jeffrey Kurtzman

This quantity is a part of a sequence of 25 full-score volumes of 17th-century Italian sacred tune, a repertoire that has principally been unavailable for research or functionality. It features a entire historic and biographical creation, specializes in composers major of their personal time, and gives smooth notation for modern performers.

Show description

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See my discussion of Agostini's collection in "Some Historical Perspectives on the Monteverdi Vespers," Analecta Musicológica, 15 (1974), 35-37; reprinted in Essays on the Monteverdi Mass and Vespers of 1610 (Houston: Rice University Studies, 1978), 127-129. 5. The most complete biographical information on Rigatti is found in Jerome Roche's New Grove article, enlarged, corrected and updated in "Giovanni Antonio Rigatti 12. The table of contents is reprinted in Moore, 1,43. and his Musiche Concertate of 1636," Il madrigale oltre il madrigale: Atti del IV Convegno internazionale sulla música13.

Mark's: Music ofAlessandro Grandi, Giovanni Rovetta and Francesco Cavalli (Ann Arbor: UMI Research Press, 1981), 1,11-18. 10. See John Burke, Musicians ofS. Maria Maggiore Rome, 1600-1700 (Venezia: Edizioni Fondazione Levi, 1984), 81. M. in the seventeenth century, as can be seen from the rubrics of some Vesper publications. 11. See my discussion of Agostini's collection in "Some Historical Perspectives on the Monteverdi Vespers," Analecta Musicológica, 15 (1974), 35-37; reprinted in Essays on the Monteverdi Mass and Vespers of 1610 (Houston: Rice University Studies, 1978), 127-129.

Black notation: 33,34,60, 11 (»), 13 («), 15,16 (6, ti), 25 (all except 6), 26 (both ts), 27 63,93,103-105,146,165,178,227,229,231,243,245,247, (tô, 10,28 (4), 29,31,32,35 (»), 36,39,40,43- 46,47 (6), 48 262-263, 278-279, 285-286, 288, 347, 418-419. (k 6), 49 (6, 6 A, 10, 51, 53, 54 ft), 56 (6), 58 (5), 59 (6, 5, \>7, 6), 60, 65 (5/4, »), 66, 68, 71, 72, 73 (second 6, 5), 74 (first Violino Secondo. 121: slur editorial; 122: first » missing, ^ V), 75, 77, 79-83, 86 (\>, 5, \), 87, 88, 89 (t), 90-94.

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