US Army Music Course - Traditional Harmony I by U.S. Army Element, School of Music

By U.S. Army Element, School of Music

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By U.S. Army Element, School of Music

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Extra resources for US Army Music Course - Traditional Harmony I

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B. The primary triads are built on the same scale degrees in both Major (I, IV, V) and minor (i, iv, V) keys (Figure 2-2). Figure 2-2. Primary Triads in Major and Minor NOTE: In a minor key (harmonic minor), the dominant triad is Major. The third of the triad is raised with an accidental to create a leading tone. MU 3310 2 2. Root Position. A triad is in root position when the root of the triad is in the bass voice (Figure 2-3). Figure 2-3. Root Position Triad 3. Doubling of Root Position Triads.

CLICK HERE TO PROCEED TO THE NEXT SECTION. Figure 1-24. Identify Objectionable Parallel Motion 1 MU 3310 LESSON 1 SELF REVIEW EXERCISE ANSWERS SELF REVIEW EXERCISE 8. CLICK HERE TO PROCEED TO THE NEXT SECTION. Figure 1-24. Identify Objectionable Parallel Motion 1 MU 3310 LESSON 1 SELF REVIEW EXERCISE SELF REVIEW EXERCISE 9. Draw a line to indicate the objectionable hidden motion in each measure. Label hidden fifths with a 5 and hidden octaves with an 8. The first one has been done for you (Figure 1-25).

Reposition the alto and tenor voices. Do not change the soprano voice (Figure 1-8). CLICK HERE FOR THE ANSWERS TO THIS EXERCISE. CLICK HERE TO PROCEED TO THE NEXT SECTION. Figure 1-8. Correct Voice Spacing 1 MU 3310 LESSON 1 SELF REVIEW EXERCISE ANSWERS SELF REVIEW EXERCISE 2. CLICK HERE TO PROCEED TO THE NEXT SECTION. Figure 1-8. Correct Voice Spacing 1 MU 3310 LESSON 1 SELF REVIEW EXERCISE SELF REVIEW EXERCISE 3. Rewrite the following triads in open position. Use one root, one third, and one fifth of each chord to complete the exercise (Figure 1-10).

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