The Wire, Issue 378 (August 2015)

Ashtray Navigations
Phil Todd’s slime-surfing DIY outfit were reverberating for 21 years, a continuing presence in Yorkshire’s ever-bubbling psych underground. by means of Alex Neilson

Bristol UFOs
As guitarist David Pearce returns after 15 years within the wasteland with a brand new Flying Saucer assault album, he and participants of Movietone, Crescent and 3rd Eye beginning inform the tale of the West Country’s cosmic opposite. by means of Joseph Stannard

The Primer Yorkshire Psychedelia
Frances Morgan takes a visit during the crucial catalogue of Ashtray Navigations and fellow seekers Vibracathedral Orchestra, Astral Social membership and more

Ornette Coleman 1930–2015
AB Spellman remembers his encounters with the overdue saxophonist in ny within the 1960s

Invisible Jukebox Mark Perry
The ATV frontman and Sniffin’ Glue founder says “You bastard” to The Wire’s secret checklist choice. demonstrated by way of Mike Barnes

Bites
Ka
The Brooklyn rapper proves that age ain’t nothin’ yet a host. via Francis Gooding

Mikael Seifu
The Ethiopian manufacturer wages sonic war on globalisation. through Maya Kalev

Charlotte Prodger
The Glasgow dependent artist explores a number of temporalities through rave sonics and YouTube fetishists. via Dan Barrow

Global Ear Łódź
Confrontational song replaces heavy within the Polish urban. through Jakub Bożek

The internal Sleeve
Karen Gwyer on Florence Foster Jenkins’s the honour (????) Of The Human Voice

Epiphanies
The massed sounds of Rara bands and church bells positioned Leah Gordon in a trance

Print Run
New tune books: radical Jewish tune, black energy tv, Stanford’s digital breakthroughs and more

On reveal
New movies and DVDs: Floris Vanhoof’s great international and Domingo Garcia-Huidobro’s haunted landscapes

On website
Recent exhibitions: Ken Cox, Ghost within the desktop tune, we all Have a feeling Of Rhythm

On position
Recent fairs, gigs and golf equipment: Ornette Coleman Memorial, Arca, lifeless Rider, David Rosenboom, Alien Jams and more

Soundcheck A–Z

A Taut Line
Arthur’s touchdown
Author & Punisher
Blood Quartet
Allison Cameron + touch
Laura Cannell
John Chantler
Charcoal Owls
Mike Cooper
Alessandro Cortini
EEK
The Ex & Fendika
Fountainsun
Malcolm Goldstein
Billy Jenkins
Benjamin Jeptha
The Labourer
Louise Landes Levi
Los Lichis
MESH
Natural details Society And Bitchin Bajas
Thandi Ntuli
Moritz von Oswald Trio
William Parker
Qwanqwa
Maja SK Ratkje/Jon Wesseltoft/Camille Norment/Per Gisle Galåen fifty five Omar Souleyman
Mark Springer
Matt ‘MV’ Valentine
Various dwelling In A Shadow fifty four a number of notebook track quantity 1
Seymour Wright
Yo los angeles Tengo
Michael Yonkers
Pekka Airaksinen
Anthony Braxton
John Butcher/Phil Durrant/John Russell
Alejandro Jodorowsky
Adan Jodorowsky
Karin Krog
Pere Ubu
Pavement
Glen Phillips
Arturo Ruiz Del Pozo
David Shea
Various Disco 2: yet another positive collection of self sustaining Disco, glossy Soul And Boogie 1976–80
Various Spritual Jazz 6: Vocals

Show description

Ashtray Navigations
Phil Todd’s slime-surfing DIY outfit were reverberating for 21 years, a continuing presence in Yorkshire’s ever-bubbling psych underground. by means of Alex Neilson

Bristol UFOs
As guitarist David Pearce returns after 15 years within the wasteland with a brand new Flying Saucer assault album, he and participants of Movietone, Crescent and 3rd Eye beginning inform the tale of the West Country’s cosmic opposite. by means of Joseph Stannard

The Primer Yorkshire Psychedelia
Frances Morgan takes a visit during the crucial catalogue of Ashtray Navigations and fellow seekers Vibracathedral Orchestra, Astral Social membership and more

Ornette Coleman 1930–2015
AB Spellman remembers his encounters with the overdue saxophonist in ny within the 1960s

Invisible Jukebox Mark Perry
The ATV frontman and Sniffin’ Glue founder says “You bastard” to The Wire’s secret checklist choice. demonstrated by way of Mike Barnes

Bites
Ka
The Brooklyn rapper proves that age ain’t nothin’ yet a host. via Francis Gooding

Mikael Seifu
The Ethiopian manufacturer wages sonic war on globalisation. through Maya Kalev

Charlotte Prodger
The Glasgow dependent artist explores a number of temporalities through rave sonics and YouTube fetishists. via Dan Barrow

Global Ear Łódź
Confrontational song replaces heavy within the Polish urban. through Jakub Bożek

The internal Sleeve
Karen Gwyer on Florence Foster Jenkins’s the honour (????) Of The Human Voice

Epiphanies
The massed sounds of Rara bands and church bells positioned Leah Gordon in a trance

Print Run
New tune books: radical Jewish tune, black energy tv, Stanford’s digital breakthroughs and more

On reveal
New movies and DVDs: Floris Vanhoof’s great international and Domingo Garcia-Huidobro’s haunted landscapes

On website
Recent exhibitions: Ken Cox, Ghost within the desktop tune, we all Have a feeling Of Rhythm

On position
Recent fairs, gigs and golf equipment: Ornette Coleman Memorial, Arca, lifeless Rider, David Rosenboom, Alien Jams and more

Soundcheck A–Z

A Taut Line
Arthur’s touchdown
Author & Punisher
Blood Quartet
Allison Cameron + touch
Laura Cannell
John Chantler
Charcoal Owls
Mike Cooper
Alessandro Cortini
EEK
The Ex & Fendika
Fountainsun
Malcolm Goldstein
Billy Jenkins
Benjamin Jeptha
The Labourer
Louise Landes Levi
Los Lichis
MESH
Natural details Society And Bitchin Bajas
Thandi Ntuli
Moritz von Oswald Trio
William Parker
Qwanqwa
Maja SK Ratkje/Jon Wesseltoft/Camille Norment/Per Gisle Galåen fifty five Omar Souleyman
Mark Springer
Matt ‘MV’ Valentine
Various dwelling In A Shadow fifty four a number of notebook track quantity 1
Seymour Wright
Yo los angeles Tengo
Michael Yonkers
Pekka Airaksinen
Anthony Braxton
John Butcher/Phil Durrant/John Russell
Alejandro Jodorowsky
Adan Jodorowsky
Karin Krog
Pere Ubu
Pavement
Glen Phillips
Arturo Ruiz Del Pozo
David Shea
Various Disco 2: yet another positive collection of self sustaining Disco, glossy Soul And Boogie 1976–80
Various Spritual Jazz 6: Vocals

Show description

Read Online or Download The Wire, Issue 378 (August 2015) PDF

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Extra info for The Wire, Issue 378 (August 2015)

Sample text

81 Thus a typical eighteenth-century situation in the Beethoven household was accepted early on in German Beethoven scholarship. Elsewhere, it took a long time for a full acceptance of the idea that the clavichord or the harpsichord had some relevance for the young Beethoven. The various English translations of “Clavier,” for example, remained conservative for a long time. ” But even the Beethoven entry in the 1980 edition of The New Grove Dictionary of Music and Musicians puts “piano” in place of Clavier.

On the other hand, it is slightly confusing that Neefe does not name Beethoven in his autobiography when he speaks of his “Vikar” in September 1782, having taught him perhaps for the best part of a year. In his letter to Cramer’s Magazin from early 1783, he is full of praise for Beethoven. So why did he, half a year earlier, merely refer to a “Vikar”? There is no certain answer to this question, but the formulation rather suggests that at that point Beethoven did not yet have a prominent place in Neefe’s life.

Familie Beethoven im kurfürstlichen Bonn, 68, orig. 38, and 73–4, orig. 42. , 79–80, orig. 46. 92 We do not know what kind of instrument Johann van Beethoven’s Klavier was. 93 Johann van Beethoven most likely inherited this very instrument. For a court singer and private music teacher there would have been no real reason to buy a large new instrument when he already owned a keyboard instrument, at a time when the fortepiano was not yet universally accepted. 94 The title of Beethoven’s first surviving work (the Dressler variations, WoO 63 from 1782): “Variations pour le Clavecin sur une Marche de Mr.

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