Throbbing Gristle’s so much enduring partnership is retrofitting its earliest recordings for the post-Industrial period. by way of David Keenan
The veteran jazz bassist outlines the liberty ideas underpinning his paintings with Alice Coltrane, Pharoah Sanders and the Strata-East label. through Phil Freeman
The ny saxophonist’s continually tough compositions have become their due, with a number of awards and an bold new album. via Howard Mandel
Invisible Jukebox Sleaford Mods
The Nottingham duo paintings their manner during the Wire’s secret checklist choice. proven via Derek Walmsley
Sex And Broadcasting
A new movie is going backstage at New Jersey’s WFMU. through Abi Bliss
The Gil Evans Project
Composer Ryan Truesdell reveals Gil Evans’s misplaced rankings. by means of Larry Jaffee
Reeling within the Salford underground. via Jennifer Lucy Allan
The London manufacturer is going looking for proto-sounds. via Maya Kalev
Global Ear Mexico City
Young sound artists are taking themselves out of the image. via Julio Lorea
New motion pictures and DVDs: the Sensory Ethnography Lab’s Manakamana and a portrait of Lary 7
New tune books: A heritage of recent York hardcore, Garrison Fewell’s interviews with improvisors and more
Recent exhibitions: William S Burroughs: are you able to All listen Me? in London
Recent gala's, gigs and golf equipment: Inga Copeland, HCMF, foreign secret, a Charlie Haden tribute and more
The internal Sleeve
Alvin Curran on his Canti E Vedute Del Giardino Magnetico and Fiori Chiari, Fiori Oscuri
A storming Peter Brötzmann set blows novelist Alan Warner away
The Blind Shake
Peter Brötzmann/Keiji Haino/Jim O’Rourke
Sabisha Friedberg with Peter Edwards
Steve Gunn And The Black Twig Pickers
Jarboe & Helen Money
Sherwood & Pinch
Shit And Shine
Ishmael Wadada Leo Smith & John Tilbury
Various beginning Gate
William S Burroughs
Eyeless In Gaza
Elsa Marie Pade
Jordan De los angeles Sierra
Spontaneous tune Ensemble
Sun Ra And His Astro-Infinity Arkestra
Various Invitation: road & Ceremonial Recordings From Burma, Cambodia, India, Indonesia, Malaysia And Thailand
Various Charred Remains
Various people tune Of The Sahel Vol 1: Niger
Various The vacationing Archive: people song From Bengal: box Recordings From Bangladesh, India And The Bengali Diaspora
Read or Download The Wire, Issue 373 (March 2015) PDF
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Extra resources for The Wire, Issue 373 (March 2015)
Organs also traditionally have couplers, which operate either within a keyboard or between keyboards. An intermanual coupler has the effect of operating a note on one manual when you press the corresponding note on another. (On some old organs both keys actually move when you press one of them. ) A coupler that works within a keyboard plays a note typically one octave higher or lower than the key you are playing, but on the same keyboard. Intervals other than an octave are also available on some organs.
A particular collection of stops is called a registration. It is usually desirable to be able to store such combinations. There are a number of buttons called pistons which recall combinations of stops. Logically enough these collections of stops are called combinations or presets. There are often a few fixed presets, and a number of pistons are provided whose registration the organist can change at will. Another advantage of the computer controlled organ is that many more presets are available.
This changes the order of half and whole steps (bottom line) from a major mode sequence to a minor mode sequence; an extra line has been added to show the frequency ratios of the minor key with respect to the major key. Note: Since this example is a minor scale, the terms me, le, and te are used to refer to the minor third, minor sixth, and minor seventh respectively. Another way to label this scale is to assign the name Ia to the low A. The scale then becomes Ia, ti, do, re, me, fa, sol, Ia. 36 equally tempered tuning survives all such key shifts quite well.