By Dave Smith, David Abernethy
The tale of Sequential Circuits, the best synthesizer producer of the Nineteen Eighties. one of many nice American synthesizer businesses, based and led by way of San Francisco electronics and laptop graduate, Dave Smith, Sequential Circuits Inc. prepared the ground for tune of the longer term. Smith introduced effortless, reasonable and robust polyphonic synthesis to all degrees of song construction within the kind of the ground-breaking Prophet-5 synthesizer. published in 1978, the Prophet led the recent wave circulate into the subsequent decade, making a sonically fascinating soundtrack to eighties tradition. It elevated the palette of all track genres and was once embraced via execs and amateurs alike. Sequential Circuits went directly to create extra leading edge strategies and items resembling programmable results, MIDI, multitimbrality, top quality sampling, laptop and MPC structures and plenty of extra. this present day the Prophet-5 is especially a lot sought-after as a type of actually iconic vintage musical tools. The ebook positive aspects many specific and hugely wonderful and informative tales from ex-Sequential employees, tune moguls, and well-known keyboard gamers. comprises over 240 pictures and illustrations (paperback)
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Extra resources for The Prophet from Silicon Valley: The Complete Story of Sequential Circuits
On my computer and my phone, I’ve got playlists: I might have an xx track, MGMT, Led Zep’s ‘Ramble On,’ a Madonna track, all in one playlist. It’s what makes me feel good. And because we were listening to music in that way, we realized that we had to make an album that sounds like a playlist. And that excited us—all of a sudden it was like at the beginning again: ‘We need to be in a band. ’ And that’s where this record started. It’s not easy to do, because you’re punkin’ out on ‘Give It Back’ and then you’re doing an R&B kind of feel on ‘Day to Day,’ or a sort of Nancy Sinatra feel on ‘One by One,’ and you have to get yourself in that mood each time you write and record.
It’s easier if I mic each cymbal. I use KM 84s again; I aim one at the bell for the ride cymbal, about a foot-and-a-half off. He has a spiral cymbal that hangs down three feet. I put the mic somewhere in the middle so it will pick up the vibration of the whole thing. ” Black Radio is the sound of modern R&B, subtle electronica, and the harmonics of jazz as filtered through Glasper’s unique worldview. Old-school meets new-school with a righteous bump in-between. “Robert and I didn’t have to over-discuss the sound of the album, because we both love jazz and we both grew up in the hip-hop era, so our sonic sensibilities are in sync,” Lewis confirms.
If I have something in my life that doesn’t have a label, it’s the music we play. ” n More Online Read interview outtakes and extras. 2012 LISTEN playlist Sierra Leone’s Refugee All Stars Radio Salone cumbancha radio salone feels like everything good about radio (still a strong influence in African musical culture)…the excitement of being glued to the dial waiting for what they’re bringing next, with fresh-familiar references—reggae, tenory soukous guitar, West African majesty—and that thing that makes this everyone’s music.