By Roger Ebert
America’s so much relied on and best-known movie critic Roger Ebert offers 100 marvelous essays on the very best video clips ever made.
For the previous 5 years Roger Ebert, the famed movie author and critic, has been writing biweekly essays for a function referred to as "The nice Movies," during which he deals a clean and fervent appreciation of an excellent movie. The nice Movies collects 100 of those essays, each of them a gem of severe appreciation and an amalgam of affection, research, and background that would ship readers again to that movie with a clean set of eyes and renewed enthusiasm–or might be to an avid first-time viewing. Ebert’s decisions diversity broadly throughout genres, sessions, and nationalities, and from the top achievements in movie artwork to justly loved and wildly winning well known entertainments. Roger Ebert manages in those essays to mix a very populist appreciation for our most vital type of well known artwork with a scholar’s erudition and intensity of information and a convinced aesthetic feel. splendidly superior through stills chosen by way of Mary Corliss, movie curator on the Museum of contemporary artwork, The nice videos is a treasure trove for movie enthusiasts of all persuasions, an unequalled consultant for audience, and a publication to come to back and again.
The nice Movies contains: All approximately Eve • Bonnie and Clyde • Casablanca • Citizen Kane • The Godfather • Jaws • l. a. Dolce Vita • city • at the Waterfront • Psycho • The 7th Seal • candy scent of luck • Taxi driving force • The 3rd guy • The Wizard of Oz • and eighty-five extra films.
From the Hardcover edition.
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The printed word is ideal 13 8V for ideas; film is made for images, and images are best when they are free to evoke many associations and are not linked to narrowly defined purposes. ” True enough. But true of all great films, whereas you know for sure what you’ve seen after one viewing of a shallow one. ”) 8 1⁄2 is the best film ever made about filmmaking. It is told from the director’s point of view, and its hero, Guido (Marcello Mastroianni), is clearly intended to represent Fellini. It begins with a nightmare of asphyxiation and a memorable image in which Guido floats off into the sky, only to be yanked back to earth by a rope pulled by his associates, who are hectoring him to organize his plans for his next movie.
Tallulah, understandably enough, did little to dispel the assumption,” Mankiewicz tells Gary Carey in the book More 31 About All About Eve. ” Press agents manufactured a feud between Davis and Bankhead, but Mankiewicz says neither he nor Davis was thinking of Bankhead when the movie was made. Davis could have found all the necessary inspiration from her own life. Davis smokes all through the movie. In an age when stars used cigarettes as props, she doesn’t smoke as behavior, or to express her moods, but because she wants to.
Guido seeks advice. Aged clerics shake their heads sadly and inspire flashbacks to childhood guilt. The writer, a Marxist, is openly contemptuous of his work. Doctors advise him to drink mineral water and get rest, a lot of rest. The producer begs for quick rewrites; having paid for the enormous set, he insists that it be used. And from time to time Guido visualizes his ideal woman, who is embodied by Claudia Cardinale: cool, comforting, beautiful, serene, uncritical, with all the answers and no questions.