The BYTE Book of Computer Music by Christopher P. Morgan

By Christopher P. Morgan

Would-be musicologists and fugue fanciers take note!
The BYTE booklet of laptop track combines the easiest desktop track articles from earlier problems with BYTE journal with intriguing new material-all written for the pc experimenter attracted to this attention-grabbing field.
You will take pleasure in Hal Chamberlin's "A Sampling of ideas for laptop functionality of Music," which indicates how one can create four-part melodies in your machine. For the funds minded, "A $19 song Interface" includes sensible educational information-and organ lovers will get pleasure from interpreting "Electronic Organ Chips to be used in desktop song Synthesis.'
New fabric comprises "Polyphony Made effortless" and "A Terrain Reader:' the 1st describes a convenient circuit in an effort to input multiple word at a time into your machine from a musical keyboard. The "Terrain Reader" is a striking software that creates random tune in line with land terrain maps.
Other articles diversity from flights of fancy concerning the reproductive structures of pianos to speedy Fouriertransform courses written in easy and 6800 computing device language, multi-computer tune structures, Walsh services, and lots more and plenty more.
For the 1st time, fabric tricky to acquire has been amassed into one handy, effortless to learn e-book. An ardent do-it-yourselfer or armchair musicologist will locate this booklet to be an invaluable addition to the library.

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By Christopher P. Morgan

Would-be musicologists and fugue fanciers take note!
The BYTE booklet of laptop track combines the easiest desktop track articles from earlier problems with BYTE journal with intriguing new material-all written for the pc experimenter attracted to this attention-grabbing field.
You will take pleasure in Hal Chamberlin's "A Sampling of ideas for laptop functionality of Music," which indicates how one can create four-part melodies in your machine. For the funds minded, "A $19 song Interface" includes sensible educational information-and organ lovers will get pleasure from interpreting "Electronic Organ Chips to be used in desktop song Synthesis.'
New fabric comprises "Polyphony Made effortless" and "A Terrain Reader:' the 1st describes a convenient circuit in an effort to input multiple word at a time into your machine from a musical keyboard. The "Terrain Reader" is a striking software that creates random tune in line with land terrain maps.
Other articles diversity from flights of fancy concerning the reproductive structures of pianos to speedy Fouriertransform courses written in easy and 6800 computing device language, multi-computer tune structures, Walsh services, and lots more and plenty more.
For the 1st time, fabric tricky to acquire has been amassed into one handy, effortless to learn e-book. An ardent do-it-yourselfer or armchair musicologist will locate this booklet to be an invaluable addition to the library.

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Organs also traditionally have couplers, which operate either within a keyboard or between keyboards. An intermanual coupler has the effect of operating a note on one manual when you press the corresponding note on another. (On some old organs both keys actually move when you press one of them. ) A coupler that works within a keyboard plays a note typically one octave higher or lower than the key you are playing, but on the same keyboard. Intervals other than an octave are also available on some organs.

A particular collection of stops is called a registration. It is usually desirable to be able to store such combinations. There are a number of buttons called pistons which recall combinations of stops. Logically enough these collections of stops are called combinations or presets. There are often a few fixed presets, and a number of pistons are provided whose registration the organist can change at will. Another advantage of the computer controlled organ is that many more presets are available.

This changes the order of half and whole steps (bottom line) from a major mode sequence to a minor mode sequence; an extra line has been added to show the frequency ratios of the minor key with respect to the major key. Note: Since this example is a minor scale, the terms me, le, and te are used to refer to the minor third, minor sixth, and minor seventh respectively. Another way to label this scale is to assign the name Ia to the low A. The scale then becomes Ia, ti, do, re, me, fa, sol, Ia. 36 equally tempered tuning survives all such key shifts quite well.

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