Sweet Anticipation: Music and the Psychology of Expectation by David Huron

By David Huron

Winner, 2007 Wallace Berry Award provided by way of the Society for tune Theory.

The mental concept of expectation that David Huron proposes in Sweet Anticipation grew out of the author's experimental efforts to appreciate how tune conjures up feelings. those efforts advanced right into a normal idea of expectation that might turn out informative to readers drawn to cognitive technology and evolutionary psychology in addition to these attracted to track. The booklet describes a collection of mental mechanisms and illustrates how those mechanisms paintings in terms of tune. All examples of notated song should be heard on the net.

Huron proposes that feelings evoked by means of expectation contain 5 functionally special reaction structures: response responses (which have interaction shielding reflexes); rigidity responses (where uncertainty results in stress); prediction responses (which present actual prediction); mind's eye responses (which facilitate deferred gratification); and appraisal responses (which take place after wakeful notion is engaged). For real-world occasions, those 5 reaction structures generally produce a posh mix of emotions. The booklet identifies a few of the aesthetic chances afforded through expectation, and indicates how universal musical units (such as syncopation, cadence, meter, tonality, and climax) make the most the mental possibilities. the idea additionally presents new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron strains the psychology of expectancies from the styles of the physical/cultural global via imperfectly realized heuristics used to foretell that global to the exceptional qualia we skilled as we recognize the realm.

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By David Huron

Winner, 2007 Wallace Berry Award provided by way of the Society for tune Theory.

The mental concept of expectation that David Huron proposes in Sweet Anticipation grew out of the author's experimental efforts to appreciate how tune conjures up feelings. those efforts advanced right into a normal idea of expectation that might turn out informative to readers drawn to cognitive technology and evolutionary psychology in addition to these attracted to track. The booklet describes a collection of mental mechanisms and illustrates how those mechanisms paintings in terms of tune. All examples of notated song should be heard on the net.

Huron proposes that feelings evoked by means of expectation contain 5 functionally special reaction structures: response responses (which have interaction shielding reflexes); rigidity responses (where uncertainty results in stress); prediction responses (which present actual prediction); mind's eye responses (which facilitate deferred gratification); and appraisal responses (which take place after wakeful notion is engaged). For real-world occasions, those 5 reaction structures generally produce a posh mix of emotions. The booklet identifies a few of the aesthetic chances afforded through expectation, and indicates how universal musical units (such as syncopation, cadence, meter, tonality, and climax) make the most the mental possibilities. the idea additionally presents new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron strains the psychology of expectancies from the styles of the physical/cultural global via imperfectly realized heuristics used to foretell that global to the exceptional qualia we skilled as we recognize the realm.

Show description

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Additional info for Sweet Anticipation: Music and the Psychology of Expectation (Bradford Books)

Example text

The effect couldn’t have been more satisfying to a child’s mind: Ms. Bradley nearly jumped out of her skin. There was an expression of sheer terror on her face: her chin had dropped, leaving her mouth wide open, and the whites of her eyes were visible all the way around her pupils. But the expression of terror quickly dissolved into laughter as she regained her composure. When a surprising event occurs, two brain processes are initiated: a rapid reaction response and a slower appraisal response.

1 provides a schematic diagram of the reaction and appraisal tracks. Whether the stimulus is visual or auditory in origin, information is first relayed to the thalamus, where some basic processing occurs. At this point the fast and slow tracks are known to diverge. The fast track proceeds directly to the amygdala, which plays an important role in the assignment of affective significance to sensory stimuli. If fear is evoked, activity can be seen in the midbrain periaqueductal gray—which coordinates a number of defense responses.

At this point the fast and slow tracks are known to diverge. The fast track proceeds directly to the amygdala, which plays an important role in the assignment of affective significance to sensory stimuli. If fear is evoked, activity can be seen in the midbrain periaqueductal gray—which coordinates a number of defense responses. In addition, the paragigantocellularis lateralis will be activated. This is a region of the brain that initiates changes to the viscera that contribute to the sensation of fear.

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