Mozarts Da Ponte Operas: The Marriage of Figaro, Don by Burton D Fisher

By Burton D Fisher

OPERA CLASSICS LIBRARY addresses some of the most notable collaborations within the background of opera: Mozart and Da Ponte, composer and librettist respectively for the wedding of Figaro, Don Giovanni and Cosi fan tutte. The textual content contains biographical profiles of Mozart and Da Ponte, and for every opera gains the critical Characters, short tale Synopsis, tale Narrative with track spotlight Examples, an insightful and extensive observation and research, and an entire, newly translated Libretto, with Italian/English translation side-by-side, and with tune examples.

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By Burton D Fisher

OPERA CLASSICS LIBRARY addresses some of the most notable collaborations within the background of opera: Mozart and Da Ponte, composer and librettist respectively for the wedding of Figaro, Don Giovanni and Cosi fan tutte. The textual content contains biographical profiles of Mozart and Da Ponte, and for every opera gains the critical Characters, short tale Synopsis, tale Narrative with track spotlight Examples, an insightful and extensive observation and research, and an entire, newly translated Libretto, with Italian/English translation side-by-side, and with tune examples.

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Additional info for Mozarts Da Ponte Operas: The Marriage of Figaro, Don Giovanni, Cosi fan tutte

Example text

Ma, se mai, qui sorpresa,.. per carità. Partite! COUNT: Susanna, you seem agitated and confused. SUSANNA: Sir. I beg your pardon. But I’m just so surprised. For mercy’s sake, go! IL CONTE: Un momento, e ti lascio, odi. COUNT: (sits on the chair) One moment and then I’ll leave. Listen. SUSANNA: Non odo nulla. SUSANNA: I will hear nothing. IL CONTE: Due parole. Tu sai che ambasciatore a Londra il re mi dichiarò; di condur meco Figaro destinai. COUNT: Just two words. You know that the King has named me ambassador to London.

Figaro, unaware of the Countess’s new scheme, watches the Count open the note, in the process, pricking his finger on the brooch pin. Figaro rightly suspects that a clandestine love intrigue is afoot, but he does not imagine that his beloved Susanna is involved. The Count, in anticipation of his rendezvous, hurriedly concludes the ceremony, promising further celebrations that evening. Act IV: The garden of the chateau. The Count gives the note and its confirming brooch pin to Barbarina, the messenger.

SUSANNA: A Cherubino! SUSANNA: To Cherubino! BASILIO: A Cherubino! A Cherubin d’amore ch’oggi sul far del giorno passeggiava qui d’intorno, per entrar. BASILIO: Yes Cherubino! The love-child who hovers about here every morning, and passes in and out. Mozart’s Da Ponte Operas Page 64 SUSANNA: Uom maligno, un impostura è questa. SUSANNA: Wicked man. This is slander. BASILIO: È un maligno con voi chi ha gli occhi in testa? E quella canzonetta? Ditemi in confidenza; io sono amico, ed altrui nulla dico; è per voi, per madama?

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