Sound Art: Beyond Music, Between Categories (Book & CD) by Alan Licht

By Alan Licht

During the last century, an artwork shape has emerged that attracts from the worlds of visible paintings and tune. Sound art’s roots are available within the experimental paintings of Italian Futurism, Dada, and later the Fluxus staff and the pioneering efforts of the yank composer and artist John Cage. within the wake of this groundbreaking paintings, sound artwork started to mature right into a flow, and artists explored the interactive probabilities of sound and in flip created totally new modes of experiencing and fascinating with artwork. during this quantity, the full tale of sound artwork is advised by means of one of many country’s top critics and students. the writer lines the background of this type of art–highlighting the convergence of the indie global bands similar to Sonic early life with the artwork world–looking on the severe cross-pollination that has resulted in one of the most very important and tough paintings being produced at the present time, together with paintings via Christian Marclay, LaMonte younger, Janet Cardiff, Rodney Graham, and Laurie Anderson, between many others.

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By Alan Licht

During the last century, an artwork shape has emerged that attracts from the worlds of visible paintings and tune. Sound art’s roots are available within the experimental paintings of Italian Futurism, Dada, and later the Fluxus staff and the pioneering efforts of the yank composer and artist John Cage. within the wake of this groundbreaking paintings, sound artwork started to mature right into a flow, and artists explored the interactive probabilities of sound and in flip created totally new modes of experiencing and fascinating with artwork. during this quantity, the full tale of sound artwork is advised by means of one of many country’s top critics and students. the writer lines the background of this type of art–highlighting the convergence of the indie global bands similar to Sonic early life with the artwork world–looking on the severe cross-pollination that has resulted in one of the most very important and tough paintings being produced at the present time, together with paintings via Christian Marclay, LaMonte younger, Janet Cardiff, Rodney Graham, and Laurie Anderson, between many others.

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Extra info for Sound Art: Beyond Music, Between Categories (Book & CD)

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394 … and suddenly a vacuum player started up just beside the instrument. Well, the result was that in the louder passages, this luminously diatonic music in which Mozart deliberately imitates the technique of Sebastian Bach became surrounded with a halo of vibrato, rather the effect you might get if you sang in the bathtub with both ears full of water and shook your head from side to side all at once. And in the softer passages I couldn’t hear any sound that I was making at all. I could feel, of course—I could sense the tactile relation with the keyboard, which is replete with its own kind of acoustical associations, and I could imagine what I was doing, but I couldn’t actually hear it.

Liz Philips creates synthesizer pieces that are triggered by wind patterns via weather vanes and anemometers. Douglas Hollis’s Sound Site (1977) had several wind-activated sound sculptures installed along the Niagara River; his Seattle installation Sound Garden (1983) has organ pipes meant to sound by the wind. Patrick Zentz has a variety of works triggered by wind motion (tuning forks, flutes, string instruments). Felix Hess’s wind fireflies are machines with a microphone and a flashing green light that printer note: NEW THUMBNAIL IMAGE of image on page 90-91 monahan and holownia Long Aeolian Piano buchen Harmonic Compass envi ro nment and sounds c apes 77 are triggered by wind patterns; his cracklers subtract the light and add a speaker and an oscillator, and are triggered by air pressure.

Dirt and mold in wood frame. 15 ½ x 16 ½ x 2 ½ inches. © Untitled Press, Inc. Art © Robert Rauschenberg/Licensed by VAGA, New York, NY 102 claes oldenburg The artist at the site of Placid Civic Monument, 1967, in Central Park, New York City. Photo by Fred McDarrah sound a rt envi ro nment and sounds c apes 103 max neuhaus Installation of Neuhaus’s work Times Square, 1977, New York City. 104 sound a rt envi ro nment and sounds c apes 105 printer note: IMAGE DELETED FROM FOLLOWING SPREAD La Monte Young and Marian Zazeela Dream House: Seven + Eight Years of Sound and Light, c.

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