By Alan Dworsky, Betsy Sansby
This ebook is for complex hand drummers who are looking to play advanced solos utilizing basic sequences of hand strokes. no matter if you play Djembe, conga, or ashiko, the sensible hand-pattern suggestions defined right here can assist you get the main from your fingers with the smallest amount of attempt. And no matter if you must solo in a conventional African or Afro-Cuban ensemble, in a drum circle, in a band, or on your front room with your favourite CDs, secrets and techniques of the Hand can assist you are taking your enjoying to the following point. The publication is geared up into major sections. the 1st covers the 5 easy hand-pattern recommendations and the second one covers 5 ideas for growing the appearance of pace. each one new technique builds at the ones sooner than it. And whereas you're studying the techniques, you'll even be studying over 100 styles that are supposed to be a fountain of principles for you for those who solo.
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Extra resources for Secrets of the Hand: Soloing Strategies for Hand Drummers
Ma, se mai, qui sorpresa,.. per carità. Partite! COUNT: Susanna, you seem agitated and confused. SUSANNA: Sir. I beg your pardon. But I’m just so surprised. For mercy’s sake, go! IL CONTE: Un momento, e ti lascio, odi. COUNT: (sits on the chair) One moment and then I’ll leave. Listen. SUSANNA: Non odo nulla. SUSANNA: I will hear nothing. IL CONTE: Due parole. Tu sai che ambasciatore a Londra il re mi dichiarò; di condur meco Figaro destinai. COUNT: Just two words. You know that the King has named me ambassador to London.
Figaro, unaware of the Countess’s new scheme, watches the Count open the note, in the process, pricking his finger on the brooch pin. Figaro rightly suspects that a clandestine love intrigue is afoot, but he does not imagine that his beloved Susanna is involved. The Count, in anticipation of his rendezvous, hurriedly concludes the ceremony, promising further celebrations that evening. Act IV: The garden of the chateau. The Count gives the note and its confirming brooch pin to Barbarina, the messenger.
SUSANNA: A Cherubino! SUSANNA: To Cherubino! BASILIO: A Cherubino! A Cherubin d’amore ch’oggi sul far del giorno passeggiava qui d’intorno, per entrar. BASILIO: Yes Cherubino! The love-child who hovers about here every morning, and passes in and out. Mozart’s Da Ponte Operas Page 64 SUSANNA: Uom maligno, un impostura è questa. SUSANNA: Wicked man. This is slander. BASILIO: È un maligno con voi chi ha gli occhi in testa? E quella canzonetta? Ditemi in confidenza; io sono amico, ed altrui nulla dico; è per voi, per madama?