By Melanie Williams
This booklet demonstrates that legislation might be newly interrogated whilst tested throughout the lens of literature. The e-book creates easy pathways which energise and illustrate the hyperlinks among criminal concept and felony technological know-how and doctrine in the course of the wider visions of heritage, literature and culture. This broadening strategy is vital to realizing legislations within the context of wider debates and media in the neighborhood. The publication presents a set of essays, with extra statement which displays upon very contemporary scholarship and debate on a variety of ethico-legal subject matters; it additionally illustrates how traditional criminal issues can be rendered energetic and palatable, as an accessory to upcoming doctrine and circumstances 'cold' within the traditional textbook demeanour. The chapters variety from exam of present inspiration on cohabitation and marriage legislation (via Jude the Obscure), nineteenth century medico-legal situations appropriate to present narratives of madness in ladies and the character and standing of specialist facts typically; assisted suicide and autonomy (via a poem through Jon Stallworthy) to an essay at the nature of race and ethnicity (via a poem by means of R S Thomas), a dialogue of obscenity and ethical philosophy (via an essay on Crash by means of J G Ballard and the philosophy of Bernard Williams) and a heritage of principles dialogue of positivism, normal legislation and political problem, struggle and terrorism via criminal and political concept texts and a poem by way of Auden. The fabrics consult with case legislations the place applicable.
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Extra resources for Secrets and Laws (UCL)
The section tracing a direct line ‘from Luther to Linz’, whilst daring scholars to produce an ‘accurate’ account of the pathway, is admirably met by Simmonds’ analysis of the misunderstood journey from Protestantism to positivism. Furthermore, Dworkin’s work is symptomatic of this mistaken history and, in utilising a cathected form of Protestant autonomy, runs the risk of suffering the selfsame tensile weakness exhibited in the irreconcilable aspects of Auden’s poem. Auden was also at that time infused with a faith in American claims to philosophical and political neutrality, and this may well have imbued the poem with its sense of the masses sincerely hurrying towards their ethical life.
Often Thomas’s poetry dealt with profoundly universal questions – the relation between body and spirit, between life and death, between beauty and ugliness of soul, between God and Nature, man and machine, personal and collective identity, and spirit and myth. Yet, at other times, the poetry can seem intensely narrow and parochial – in his zeal to preserve Welshness there is an identity between nourishment and corruption in speech (clearly there are many links here to WB Yeats, Seamus Heaney, Derek Walcott, James Joyce).
Most of all, his poetry is imbued – for all his claim to being ‘noone’, with a heavy presence of his ‘I’; and perhaps this is another reason for his less than Messianic impact. The ‘I’ is not merely a location of self but a negation of other. Though Thomas is without doubt a poet of great gifts, one may with relief conclude that the deeply troubled ‘self’ of Thomas, and of his message, undermines the Messianic potential. My interest in RS Thomas began first, of course, with his poetry, powerful, melancholy, spare; but being married to a Welshman who himself feels ambivalent towards the ‘meanings’ ascribed to his roots, and having moved to Wales and with my children learning Welsh and each of them feeling a great sense of romanticism and passion for the Welsh heritage, yet sometimes encountering anti-English sentiment at school, my relation to the poetry, which is very concerned with ‘Otherness’, became more complex.