Knowledge, Creativity and Failure: A New Pedagogical by Chris Hay

By Chris Hay

This e-book deals a brand new framework for the research of training and studying within the inventive arts. It offers academics with a vocabulary to explain what they educate and the way they do that in the artistic arts. educating and studying during this box, with its specialize in the private features of the coed and its insistence on intangible traits like expertise and creativity, has lengthy resisted conventional types of pedagogy. within the courageous new global of high-stakes evaluate and examination-driven results around the schooling procedure, this resistance has confirmed to be a serious weak point and pushed artistic arts academics extra into the margins. rather than accepting this relegation lecturers of inventive arts needs to got down to seize the individuality in their pedagogy. This publication will permit lecturers to go beyond the opaque metaphors that proliferate within the inventive arts, and as a substitute to argue for the robustness and rigour in their perform.

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By Chris Hay

This e-book deals a brand new framework for the research of training and studying within the inventive arts. It offers academics with a vocabulary to explain what they educate and the way they do that in the artistic arts. educating and studying during this box, with its specialize in the private features of the coed and its insistence on intangible traits like expertise and creativity, has lengthy resisted conventional types of pedagogy. within the courageous new global of high-stakes evaluate and examination-driven results around the schooling procedure, this resistance has confirmed to be a serious weak point and pushed artistic arts academics extra into the margins. rather than accepting this relegation lecturers of inventive arts needs to got down to seize the individuality in their pedagogy. This publication will permit lecturers to go beyond the opaque metaphors that proliferate within the inventive arts, and as a substitute to argue for the robustness and rigour in their perform.

Show description

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Additional resources for Knowledge, Creativity and Failure: A New Pedagogical Framework for Creative Arts

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The key difference in this case is that the “authors are not speaking the same language—their assumptions and criteria for legitimate knowledge claims are different” (Maton and Muller 2007: 26). Additionally, while we could expect to see integration of previous knowledges within a language, what differentiates hierarchical from horizontal knowledge structures is what Maton and Muller describe as “the capacity for such development across languages” in the former (2007: 26, emphasis in original).

2, then new knowledges within the structure are designed to “widen the base and sharpen the tip” (Maton and Muller 2006: 24). This form, according to Bernstein, is best embodied by the natural sciences, in which fewer theoretical constructs are sought which embrace and explain a wider range of phenomena. In a discipline characterised by a hierarchical knowledge structure the focus is on uniting the various knowledges found throughout the field, rather than teaching one set of knowledge to the exclusion of others.

Halberstam, Judith. 2011. The Queer Art of Failure. Durham and London: Duke University Press. Lamont, Alexandra, and Karl Maton. 2010. Unpopular Music: Beliefs and Behaviours Towards Music in Education. In Sociology and Music Education, ed. Ruth Wright, 63–80. London: Ashgate. INTRODUCTION 15 Maton, Karl. 2004. The Wrong Kind of Knower: Education, Expansion and the Epistemic Device. In Reading Bernstein, Researching Bernstein, eds. Johan Muller, Brian Davies, and Ana Morais, 218–231. London: Routledge.

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