How to Write a Damn Good Mystery: A Practical Step-by-Step by James N. Frey

By James N. Frey

Edgar award nominee James N. Frey, writer of the across the world best-selling books at the craft of writing, How to write down a rattling solid Novel, How to put in writing a rattling stable Novel II: complex Techniques, and The Key: the right way to Write rattling stable Fiction utilizing the facility of Myth, has now written what's absolute to develop into the traditional "how to" publication for secret writing, How to jot down a rattling solid Mystery.

Frey urges writers to try high-not to attempt to write down a good-enough-to-get-published secret, yet a rattling strong secret. A rattling solid secret is first a dramatic novel, Frey insists-a dramatic novel with residing, respiring characters-and he exhibits his readers the best way to create a dwelling, respiring, plausible personality who may be smart and imaginitive, willful and resolute, and may be what Frey calls "the writer of the plot at the back of the plot."

Frey then exhibits, in his recognized, unique, and available (and frequently funny) kind , how the characters-the complete ensemble, together with the assassin, the detective, the gurus, the sufferers, the suspects, the witnesses and the bystanders-create an entire and coherent world.

Exploring either the on-stage motion and the behind-the-scenes intrigue, Frey indicates potential writers tips to construct a fleshed-out, plausible, and logical international. He indicates them precisely which elements of that global appear within the pages of a rattling sturdy mystery-and which elements are held again simply lengthy adequate to maintain the reader guessing.

This is an crucial step by step advisor for a person who's ever dreamed of writing a rattling strong mystery.

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By James N. Frey

Edgar award nominee James N. Frey, writer of the across the world best-selling books at the craft of writing, How to write down a rattling solid Novel, How to put in writing a rattling stable Novel II: complex Techniques, and The Key: the right way to Write rattling stable Fiction utilizing the facility of Myth, has now written what's absolute to develop into the traditional "how to" publication for secret writing, How to jot down a rattling solid Mystery.

Frey urges writers to try high-not to attempt to write down a good-enough-to-get-published secret, yet a rattling strong secret. A rattling solid secret is first a dramatic novel, Frey insists-a dramatic novel with residing, respiring characters-and he exhibits his readers the best way to create a dwelling, respiring, plausible personality who may be smart and imaginitive, willful and resolute, and may be what Frey calls "the writer of the plot at the back of the plot."

Frey then exhibits, in his recognized, unique, and available (and frequently funny) kind , how the characters-the complete ensemble, together with the assassin, the detective, the gurus, the sufferers, the suspects, the witnesses and the bystanders-create an entire and coherent world.

Exploring either the on-stage motion and the behind-the-scenes intrigue, Frey indicates potential writers tips to construct a fleshed-out, plausible, and logical international. He indicates them precisely which elements of that global appear within the pages of a rattling sturdy mystery-and which elements are held again simply lengthy adequate to maintain the reader guessing.

This is an crucial step by step advisor for a person who's ever dreamed of writing a rattling strong mystery.

Show description

Read or Download How to Write a Damn Good Mystery: A Practical Step-by-Step Guide from Inspiration to Finished Manuscript PDF

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© 1993

Additional resources for How to Write a Damn Good Mystery: A Practical Step-by-Step Guide from Inspiration to Finished Manuscript

Sample text

The gold I got out of Sam Hegg's mine ain't been more than about a hun- 45 How to Write a Damn Good Mystery 46 dred and fifty grand, total, and that ain't no lie. But I've been real careful not to do anything stupid like spend a lot in one place. I sell the nuggets off as I go— telling people I bought them at the bar off guys who bring it in. I'm content, a happy man. I blow my cool and have to beat the crap out of somebody once in a while when I'm acting as a deputy, or in the bar with some drunk, but most of the time I keep a lid on my temper.

I've been in the writing racket for a few decades now and, the horrible truth is, I've never been able to figure out what editors will find mildly interesting story-wise, let alone what will make them flip. I've heard other writers, agents, and even editors say that they know this trend is hot, this other trend is not; that Ideas to Get You Started small-town mysteries, say, are in, hard-boiled are out; that cross-genre books or some such are the next trend, the wave of the future. It's all a bunch of pap.

31 32 How to Write a Damn Good Mystery O u r murderer will be evil. We know a murderer is a mythic "evil one" and an evil one always acts out of his or her own self-interest. An evil one is the golden star at the center of his or her own universe. Our murderer will be self­ ish. Sure, we've all read books in which the murderer does the deed for a good cause, heroically, but this motif almost always results in a weak climax. " If the murderer is not acting out of his or her own self-interest and instead is self-sacrificing and acting heroically, the reader is robbed of this satisfaction, which is, after all, one of the principal reasons the reader bought the book in the first place.

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