Harmony and Voice Leading by Carl Schachter, Edward Aldwell

By Carl Schachter, Edward Aldwell

A accomplished quantity spanning the complete thought direction, concord AND VOICE best starts off with insurance of uncomplicated ideas of thought and concord, and strikes into assurance of complex dissonance and chromaticism. It emphasizes the linear facets of tune up to the harmonic, and introduces large-scale progressions--linear and harmonic--at an early level. the 1st 3 devices of the booklet are designed to learn sequentially, yet teachers have the flexibleness to coach the latter devices in any blend and order they pick out.

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By Carl Schachter, Edward Aldwell

A accomplished quantity spanning the complete thought direction, concord AND VOICE best starts off with insurance of uncomplicated ideas of thought and concord, and strikes into assurance of complex dissonance and chromaticism. It emphasizes the linear facets of tune up to the harmonic, and introduces large-scale progressions--linear and harmonic--at an early level. the 1st 3 devices of the booklet are designed to learn sequentially, yet teachers have the flexibleness to coach the latter devices in any blend and order they pick out.

Show description

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Extra resources for Harmony and Voice Leading

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It’s the very fact that it ever took place at all that blows minds. They pulled it off. In celebration Jerry stuck around and watched the sunrise. They played the fucking Pyramids, man. A close second for most cosmic thing ever was the time the Dead were playing at a gig in Oregon at the precise moment that nearby Mount St. Helens erupted. ” They Played the Pyramids / 29 9 THEIR INSTRUMENTS WERE CUSTOM-MADE The Dead’s instruments were made by Alembic,* a Santa Rosa, California, guitar laboratory run by Ron and Susan Wickersham, former Dead sound technicians, in other words, wizards.

Bobby says Rock had a knack on those occasions of saying the right thing. ” What Rock had was charm, he communicated a sweetness of nature. If he was conning someone, even if he was conning you​— you couldn’t really get angry with him because it had to be for a good cause. Rock wrote a book​— that is, he spoke it and David Dalton wrote it down, called Living with the Dead. ” Fun fact: Rock was his real name​— an homage to his great-​ grandfather’s favorite horse. He was perhaps destined for the counterculture right from the git-go, but got his freak feet wet in 1964 when he spent a month in jail for being a white guy at a civil-​rights march.

It was his idea to play “electric blues” and form the Warlocks. ” His versions of “Turn on Your Lovelight” took up entire album sides and were the climax of live Dead shows. “In the Midnight Hour,” the Wilson Pickett hit, was the first song the Dead ever made last forty-five minutes. An early photo of Pigpen and Jorma shows two musicians who dig the blues; they are the same age, yet Jorma looks like Pigpen’s son. Whatever aged Pigpen happened early, and his lifelong love of alcohol and barbeque merely continued the process.

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