By Thom Holmes
Digital and Experimental tune: know-how, tune, and tradition offers an intensive remedy of the suitable historical past at the back of the wedding of expertise and track that has resulted in the nation of digital tune this day. starting with an early historical past of digital track ahead of 1945, the booklet outlines key composers, innovations, and ideas, starting from Edgard Varèse to Brian Eno; musique concrète to turntablism; and compositional strategies utilized in either analog and electronic synthesis.
The 3rd edition’s reader-friendly writing kind, logical association, and contours offer quick access to key rules, milestones, and concepts.
* Reader’s publications and summaries first and foremost and finish of every chapter
* options bins delivering a special profile of an influential person within the box of digital music
* hear playlists recommending key recordings in every one musical style pointed out in each one chapter
* Milestones timelines summarizing the most important technological and musical suggestions mentioned in every one bankruptcy.
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Additional info for Electronic and experimental music: pioneers in technology and composition
The use of a Theremin-like instrument on several Beach Boys recordings, including Good Vibrations (1966) is an interesting story (told in Chapter 16, pp. 411–15) about finding other ways to create a similar sound. ELECTRONIC MUSIC BEFORE 1945 1EEE 2 3 4 5 6 7 8 9 1022 1 2 3 4 EEE15 6 7 8 9 20 1 2 3 4 5EEE 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 1 2 3 4 45 46 47EEE 25 The classical tradition of Theremin playing is being kept vital by Russian player Lydia Kavina, who happens to have been the grand-niece of the late Leon Theremin, from whom she first learned the instrument.
36 This stroke of luck led to a long association of the Theremin with motion pictures, primarily through the inspired “spooky noises” that Hoffman was so masterful at creating. His respectable list of movie credits is spread equally among hit movies, near misses, and low-budget exploitation films. In addition to Spellbound, they include such diverse accomplishments as The Lost Weekend (1945), Lady in the Dark (1946), The Fountainhead (1949), Rocketship X-M (1950), The Thing (1951), The Day the Earth Stood Still (1951), The Ten Commandments (1956), and Billy the Kid vs.
The ring was moved using the index finger of the right hand. This in turn adjusted a variable capacitor on the ribbon that changed the frequency of the tone over a sevenoctave range. Sliding the ring to the left played lower notes; sliding it to the right played higher notes. The ribbon was ingeniously superimposed over a picture of a piano keyboard, and movements of the ring corresponded to notes of the scale and gradations in between. The left hand controlled volume with a pressure-sensitive key.