By Geoff Pevere
For the reason that its free up in July 1970, Donald Shebib’s reasonably-priced highway motion picture approximately displaced Maritimers in Toronto has develop into some of the most celebrated Canadian videos ever made. during this examine of Goin’ Down the line, well known movie critic Geoff Pevere presents an attractive account of ways a movie produced below principally improvised situations grew to become the main influential Canadian motion picture of its day in addition to a permanent cultural touchstone.
Featuring large interviews with the film’s key members, Pevere presents behind-the-scenes historical past and explores how the movie’s that means and interpretation have replaced over the years. He supplies distinctive cognizance to the query of why the film’s artistic mixture of documentary options, street motion picture tropes, and social observation have confirmed so well known and influential in Canadian filmmaking for many years.
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Additional info for Donald Shebib's Goin' Down the Road (Canadian Cinema, Volume 8)
16 That was later. In the meantime, for Bradley and everyone involved, Don Shebib’s movie felt like a longoverdue beginning. By drawing his cast from Rill’s students, Shebib was introducing another element of sympathetic outsider-ness to his production. As both McGrath and Eastwood remembered years later, Toronto was not exactly an accommodating place to performers who strayed from the conventional path of theatrical training. Which is to say, if you hadn’t done Stratford or Shaw, and you didn’t enunciate in the plummy tones of the mid-Atlantic, you weren’t likely to ﬁnd work.
There are no jobs, Pete reports to Joey, and Hanson hasn’t got any room to put them up for the night. In the Salvation Army men’s hostel, Joey lies on the upper bunk drinking in the atmosphere of seedy, rusty-springed despair. Pete’s reading the classiﬁed section of a newspaper, keeping his optimism up even as Shebib’s cutaways – to the sunken, hope-drained faces of the men in the nearby bunks – intimate once again the folly of it all. They’re not the ﬁrst guys to come in here with disposable dreams, and they might well live to look back on younger versions of themselves arriving late some night several years on.
4 Originally, as Fruet told an interviewer in 1975, he imagined a story involving a young man’s search for his alcoholic father, but that didn’t 25 DONALD SHEBIB’S GOIN’ DOWN THE ROAD seem to go anywhere. ) Apart from Shebib’s family history, Fruet’s early Toronto experience, and the overwhelming fact of the massive migration of unemployed easterners to Toronto during the 1960s, fodder came, as Fruet told interviewer John Hofsess in 1975, from pubs and taverns. It would be in environments like this that much of Road would unfold.