By Maria Antonia de Miquel
Desde el Romanticismo los angeles novela histórica ha sido uno de los géneros más populares de l. a. literatura y hoy su vigencia es aún innegable. María Antonia de Miquel nos ofrece en este guide una clara descripción de sus principales elementos y nos propone una serie de útiles orientaciones para reconocer y resolver sus dilemas. Pues combinar con acierto Historia y ficción es un reto no exento de peligros.
Cómo escribir una novela histórica te ayudará, entre otras cosas, a poner orden en las tramas caóticas de l. a. Historia, a elegir lo relevante y descartar lo superfluo, a emprender los angeles investigación necesaria, a recurrir al tipo de narrador más conveniente, a solucionar problemas de ambientación o a decidir el registro de lengua adecuado. Complementado con una práctica guía de lecturas, este libro sin duda constituye l. a. mejor herramienta para iniciarse en el género.
Read or Download Cómo escribir una novela histórica PDF
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Additional resources for Cómo escribir una novela histórica
Lije whooed his oxen when he came to the top of the hill. Rebecca walked up to him and saw the train winding down and, below it, Fort Laramie, white as fresh wash, with trees waving and shade dark on the grass and the river fringed with woods. " "It's Fort Laramie. " "Not because it's a fort. " "You reckon they've got chairs there, Lije? " There was a light in his eyes. " She said, "I just want to sit in a chair. We learn much more about the surrounding terrain than about Lije and Rebecca through the narrative.
I recall reading one of James Thurber's works dealing with reminiscences of Harold Ross, the highly praised, unpredictable, somewhat zany editor of The New Yorker. Ross and his editorial staff—espeically Wolcott Gibbs—developed some editorial rules for manuscripts, and that was that. " Anything else—"shouts" or "exclaims" or "retorts," for example—is just wasted motion. " It got me thinking. " he. said? Wouldn't "retort" be better? Or. . " he.. said? It seemed to me "exclaimed" would fit more easily.
In a flare of touchiness and anxiety, Bowman wished to avoid even mention of unknown men and their unknown farms. '' He was surprised to hear his old voice chatty, confidential, inflected for selling shoes, asking a question like that—a thing he did not even want to know. "Yes. " Instead of the "saids" and the modifying phrase that would give further meaning to the dialogue, Welty has gone inside Bowman's head. " he said despairing. . " His voice sounded with a mixture of despair and surprise..