By Beverly West, Nancy Peske
Has your karma run over your dogma? Are you feeling nervous concerning the destiny, or considering who became down the dimmer turn on your internal gentle? The illumination you wish is correct at your fingertips. Settle into the lotus place, decide up your handheld remote control, and allow video clips be your non secular advisor in your trip towards own nirvana. From the bestselling duo who introduced you Cinematherapy, complicated Cinematherapy, Cinematherapy for Lovers, and Bibliotherapy comes CINEMATHERAPY FOR THE SOUL, a video advisor certain to assist you develop into your individual guru.
With one hundred fifty new reports of vintage and modern video clips and considerate costs to uplift you, CINEMATHERAPY FOR THE SOUL is absolute to assist you notice that the flicks will reinvigorate your drained spirit and assist you locate concept, one motion picture at a time.
From the exchange Paperback edition.
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Extra info for Cinematherapy for the Soul: The Girl's Guide to Finding Inspiration One Movie at a Time
ZEDD'S DEBUT FEATURE WAS INFLUENCED BY JOHN WATERS AND THE UNDERGROUND, BUT ALSO BY THE DOWNTOWN PUNK SCENE, CLASSIC JUVENILE DELINQUENCY FILMS AND EXPLOITATION MOVIES. FOR ZEDD PUNK WAS JUST AS MUCH OF A TARGET AS ANYTHING ELSE AND OFFENSE EXISTED SIMPLY FOR ITS OWN PURPOSE. THE BREAK WITH EVEN THE NO WAVE FILMMAKERS WAS MOST CLEARLY ARTICULATED IN AMY TAUBIN'S REVIEW, .. THE AESTHETIC OPERATIVE HERE IS TRANSGRESSION, BOTH IN THE TERMS OF THE NARRATIVE, AND IN FORMAL FILMMAKING TERMS. "(8) FOR TAUBIN IT .
MUCH AS POST-MODERNISM WOULD PROFFER A SPLINTERING OF MEANING, SO TOO WOULD QUEER CULTURE INVOKE A SIMILAR OBVIATION OF SEXUAL IDENTITY. THE CINEMA OF TRANSGRESSION WAS THE PSYCHIC MANIFESTATION OF ALL THE MYRIAD WAYS TRE COMMUNITY WAS REACTING, A SUM OF THAT DEVASTATING SPLINTERING. IT WAS THE ARTISTS WHO WERE THERE WHEN THE EAST VILLAGE REALLY WAS SOME PLACE SPECIAL, COMING TO TERMS WITH THE DISASTER IT WAS FAST BECOMING. IN THEIR WORK YOU DO NOT FEEL THE OPTIMISTIC HIGH THAT CHARACTERIZES THE BEGINNING OF A SCENE, YOU TASTE THE BITTER BACKWASH OF ITS COLLAPSE AS THE POLARIZING FORCES OF GENTRIFICATION AND HOMELESSNESS TORE APART THE FABRIC OF THE NEIGHBORHOOD.
SCREENINGS AT THE' NEW CINEMA WERE FUN. YOU COULD DRINK BEER, SMOKE WHATEVER, TALK BACK TO THE SCREEN; IT WAS THE KIND OF VIEWING SITUATION THE OLD, STRUCTURALIST AVANT-GARDE AVOIDED LIKE LEPROSy. n (6) THE NEW CINEMA DID NOT LAST THE YEAR, BUT DURING THE PERIOD IT WAS OPEN IT OFFERED AN OPPORTUNITY FOR FILMMAKERS TO SHOWCASE THEIR WORK IN A SPACE THAT WAS NOT DOMINATED BY THE OLD AVANT-GARDE, ONE THAT HINTED AT NEW POSSIBILITIES. • ~. • • I I • • • I I 3. IT WAS AGAINST THIS BACKGROUND THAT NICK ZEDD (UNDER THE ALIAS NICK ZODIAK) PRODUCED HIS DEBUT FEATURE They Eat Scum (1979), THE FILM SCREENED AT 0- P SCREEN(7) AND THE DOWNTOWN CLUBS MAX'S KANSAS CITY AND CLUB 57.