By David Thomson
“She may glance demure whereas behaving like an empress. Blonde, with eyes like pearls too substantial for her head, she used to be very remarkable, yet marginally beautiful and positively now not attractive . . . however it was once her aspect that made her memorable—her upstart superiority, her reluctance to fake deference to others.”
Bette Davis was once the commanding determine of the good period of Hollywood stardom, with a force and effort that positioned her contemporaries within the colour. She performed queens, jezebels, and bitches; she may well out-talk any male costar; she warred along with her studio, Warner Bros., labored like a demon, received via 4 husbands, used to be nominated for seven Oscars, and—no subject what—never gave up combating. this is often her tale.
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Extra resources for Bette Davis (Great Stars)
The theme of control runs throughout the film — from McMahon, who wields the biggest stick in the business, to the physical control the wrestlers must exercise in the ring to avoid grievous bodily injury. Sadly though, Beyond the Mat illustrates the lack of control most of these guys have in their personal lives and careers. One former king of the ring, 21 70577D3C-AE70-4CD7-90FE-8E702CCAC08A Jake "The Snake" Roberts comes across like a car wreck; you don't want to watch, but can't take your eyes off him.
Figgis would personally host screenings, remixing the sound based on the reactions of the audience. Chelsea Girls isn't perfect, but at three-and-a-half hours it has enough compelling moments to make it worth watching. " is searing stuff, and is still shocking today, decades after it was first released. What I find most fascinating about the film is the way it blurs the line between reality and artifice. Warhol orchestrated a sordid look at the soft underbelly of his life in New York, and it is hard to tell 41 what is real and what is performance art, although the drug use and infighting seem authentic.
It was just like a poor home movie, shot badly. I couldn't relate to it. " The film has had very few public screenings. Frank's vision of rockand-roll superstardom may have been too raw for the Stones, who sued to have the film shelved. Instead of suppressing the film completely, they reached a complicated settlement that allows Frank to show the film once a year, as long as he is in attendance. Bootleg copies — with a picture quality that "sucks as much as the groupies" as one critic has joked — have been widely distributed, and are available for rent in many cities.