By G. Grove
This can be a reissue of the 1st variation of George Grove's Dictionary of track and Musicians, which has given that developed to develop into the biggest and such a lot authoritative paintings of its sort in English. The undertaking grew within the making: the identify web page of quantity 1 (1879) refers to 'two volumes', yet by the point quantity four seemed in 1889 there has been additionally a 300-page appendix and a separate index quantity. The dictionary used to be a world project, with members from Paris, Leipzig, Berlin, Vienna and Boston along these established in Britain. It was once 'intended to provide a very good and lengthy said wish' coming up from the elevated curiosity in all elements of song, which used to be 'rapidly changing into a vital department of education', and to cater for the pro whereas being obtainable to the beginner. it's a interesting record of musical tastes and values within the overdue Victorian interval.
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Extra resources for A Dictionary of Music and Musicians (A.D. 1450-1880) (Volume 1)
He died Sept. 15, 1858. His youngest son, Edgar Adams, follows the profession of his father, and holds the appointment of organist of the church of St. Lawrence, Jewry, near Guildhall. [W. H. ] sacred musical drama entitled 'Elijah raising the Widow's Son,' adapted by Addison to music by Winter, was produced at Drury Lane Theatre in the series of Lenten oratorios, under the direction of Sir George Smart. Addison next employed himself as a teacher of singing, and in that capacity instructed many singers who maintained very creditable positions in their profession; amongst others, James Pyne, Pearman, Leoni Lee,and Thomas Millar.
Mozart's ' Nozze di Figaro,' originally in four acts, is now generally played in two; and Meyerbeer's ' Huguenots,' originally in five, in four. ) applies the word to oratorios, and it is used by J. S. Each in a manner probably unique. ' It is what would be called among ourselves a funeral anthem. [J. ] ACUTENESS. contrivance by means of which the impulse of the player's finger is transmitted to the strings of a pianoforte, to the metal tongue (free reed) of a harmonium, or by the finger or foot to the column of air in an organ-pipe.
F. ] ACCIDENTALS. The signs of chromatic ation used in Rome, thus. alteration, employed in music to show that the notes to which they are applied have to be raised or lowered a semitone or a tone. They are five in number, the sharp (t) (Fr. dihe, Ger. Kreuz) and double sharp ( x ) (Fr. doubk-die'se, Ger. o - ru - ti - o nun -sM] ; (4) The accent of ACCIDENTALS. ACCIDENTALS. 19 Doppelkreuz), which being placed before a note music, and they have in course of time come to be raise it respectively a semitone or a tone; the applied to all the other notes.